Exp: 1/250 sec @ f/8.0, ISO 160
Gear: Leica M9, 50mm Summicron
Location: Ceiba del Mar, Puerto Morelos, Mexico

Exp: 1/180s @ F/4.0, ISO 160
Gear: Leica M9, 50mm Summicron

Well the rain here in NE Ohio has been relentless fortunately I made it out to shoot last week.  I had a tough time making images as the forest lacked the clean shots I like to take.  I liked this one because of the detail and color.

Exp: 1/60s @ f/4.0, ISO 200
Gear: Canon 40D, 70-200F4L IS

I was looking back through some of my files and came across this one and I really liked the abstract nature of this shot and the great color.

1/180s @ f/4.0, ISO 160, 90mm

Exp: 1/640 @ f/4.0, ISO 100
Gear: Canon 40D, 70-200F4L IS @ 144mm, 25mm ext. tube

Exp: 1/160s @ f/4.0, ISO 100
Gear: Olympus E-P1, Leica 50mm Summicron

This was taken at North Chagrin Reservation. There was an area right in the parking lot full of bluets so I spent about an hour shooting different angles.  This is my favorite.  Proof you don’t have to go far to find a photograph.

Exp: 1/2s @ f/8, ISO 200
Gear: Canon 40D, 17-55F2.8 EF-S @38mm, tripod, remote release

I took a day and stopped in Yosemite National Park on a recent business trip.  Only having a day decided I’d make the most of my time. I started along the upper part of the park making my way down to the valley for lunch. After a short hike I drove up to glacier point for sunset. This shot is the last one I made long after the sun had set. Everyone was heading back to their car but I was still shooting. A couple stopped me and ask what I was doing and after showing them the back of the camera they said. We didn’t even notice the beautiful colors. One thing photography has taught me is to slow down and notice things that are happening.  Especially to be sensitive to the light.

Exp: 1/50s @ f/5.6, ISO250
Gear: Olympus E-P1, Leica 50mm f/2.0

A lot of people write about “zooming with your feet” and tell you to go out an buy prime lenses.  Instead of doing this I thought I’d explain my experience using prime lenses.  The major advantage I get with using prime lenses is visualization.  I know that at a certain distance from a subject it is a certain size.  From experience I know how the frame will drop around that subject when I bring the viewfinder up to my eye.  This makes for a much more fluid process of making images.  There isn’t any fiddling around with the zoom ring to try to include or exclude portions of the image to frame it like you saw it.  So when I see the image its very easy to adjust the exposure and capture the frame.  I didn’t have to look around the viewfinder to look for things sneaking in on an edge or for some funny merger ruining the image.  I’ve captured what I saw and can bring that back the viewer.

My other thought is that it feels much more natural to shoot with a prime lens.  Which makes sense because our eyes are fixed focal length.  As we move around the world we change our perspective on an object.  Shouldn’t we do the same when we are photographing?

Here’s a little activity just to see how you’re really using your zoom lenses.  Go through your images and see what focal lengths you are actually using.  This may surpise you, it was a surpise to me.  Even though I have an infinite number of choices along the zoom range of a lens most of my shots were taken at either the widest setting or the most telephoto setting.  How is this for you?

Exp: 1/80s @ f/2.0, ISO 100
Gear: Olympus E-P1, Leica 50mm f2

We’ve had some relief from the rain here in Cleveland for a few days so I’ve been able to get out and enjoy the nice fall color we’ve had this year.  As it happens many times this shot was taken after my primary subject, tinkers creek gorge, wasn’t all that spectacular.  So I turned around and started walking down along the road.  It wasn’t long until a came across this bundle of leaves sticking out away from everything else.  I knew this would make a great subject for the short depth of field of this lens.  I’m quite happy with how this lens renders the transition and bokeh.  Because this lens is mounted to the E-P1 using a mechanical adapter it operates completely manual.  You might think this is a downside I find having manual control over the aperture and the focus makes using the E-P1 a very different but rewarding experience.   Since I have independent dials for focus, aperture, and shutter (wheel on back of camera) I can make changes by touch.   This kind of control allows the camera to melt away and I can concentrate on making images.

Exp: 1/125 sec, f/8.0, ISO 100
Gear: Olympus E-P1, 14-42mm @ 19mm

Well I’m back relaxing in the hotel after a 3 day kayaking trip on the lakes around Saranac Lake, NY.  Since we were kayaking I wanted to keep my photography equipment to a minimum, at least that what I’m telling myself, it was just an excuse to put the E-P1 through it’s paces.  So I threw the E-P1 in a medium sized SealLine Padded Storm Sack dry bag that I picked up at the outfitter and start paddling.

The E-P1 takes some getting use to after using a DSLR.  I probably need both hands to count the number of times I tried to put it up to my eye to find there wasn’t a viewfinder.  Do I miss the viewfinder? Not really the live histogram more than makes up for it.  It really allows me to nail the exposure.  I was going through the images in Lightroom and I’m expecting my normal test shots for a given subject as I’m dialing in the exposure and I find only one perfectly exposed image in it’s place.

The above image is no exception I had the camera set to manual mode and framed it how I wanted and just dialed the shutter speed up until the bright part of the clouds just kissed the red highlight section of the histogram.

All and all it was a great trip I got some good shots but also missed some shots. Mostly due to a combination of shooting from a bobbing kayak and learning how to use a new camera.  The E-P1 is a winner in my book, it has good image quality, handling, and features in compact package.  I’m pretty sure it will become my camera of choice on future kayak/backpack/or other assorted outdoor adventures.